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| 文章编号：1672-3104(2021)03-160-09 |
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生命主体化及其乌托邦：论《别让我走》的生命政治 |
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支运波 |
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（上海戏剧学院戏剧文学系，上海，200040） |
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| 摘 要： 《别让我走》将读者置入由制造生命和自然生命同构的生命政治图景，去直面一个女性克隆人凯茜的短暂生命历程，并让读者与其一起体验和反思生命被外在因素介入所引发的种种问题。这些问题主要在于：小说客观冷静地书写了政治权力和生物医学的管治技术，以及由这种管治技术引发的复杂的生命感性问题；小说细致地叙述了生命在权力、技术等外部因素介入后面临的诸多不适，以及由此造成的生命自身的“问题化”，让读者在一种不对称的体验张力中思考人类应如何面对自己制造的生命客体；小说呈现了生命在适应与抵抗外部因素时激发出的主体化努力，以及最终的乌托邦结局。作为一部书写生命的科幻小说，《别让我走》为生命政治批评提供了一个范本。 |
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| 关键词： 《别让我走》；生命政治；主体化；乌托邦 |
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Life subjectification and its utopia: On the biopolitics of Never Let Me Go |
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ZHI Yunbo |
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（Department of Drama Literature, Shanghai Theatre Academy, Shanghai 200040, China） |
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| Abstract: The novel Never Let Me Go plants the reader into a biopolitical field co-formed by man-made life and natural life, to face a clone girl’s short-lived life, and to invite the reader to experience and rethink together over various problems popping up whenever outside factors intervene into life. These matters mainly lie in that the novel has impersonally written political power and biomedical government technique, and some complex life sensibility problems caused by this technique in life, that the novel has narrated in detail much of discomfort problem when life is intervened by outside elements such as power and technology, and the problematization of life itself, so as to let reader ponder over how mankind, in experiencing a kind of asymmetric tension, should face a life object made by itself, and that the novel has presented life’s subjectifying efforts in adapting to and resisting against the outside factors as well as the ultimate utopian ending. As a science fiction of writing life, Never Let Me Go offers a sample text to carry out biopolitical criticism. |
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Key words: Never Let Me Go; biopolitics; subjectification; utopia |
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