|
| 文章编号：1672-3104(2018)03-0152-10 |
| |
|
从审美自律到“美的释放”：1980年代“美学热”的理论建构及历史反思 |
| |
裴萱 |
| |
|
（河南大学文学院，河南开封，475001） |
| |
| 摘 要： 20世纪80年代中国“美学热”是审美自律持续深化和美学知识场域逐步建构的历史事件，是美学自身不断破除“他律”的规训而逐步走向“自律”的文化现象。“美学热”可以划分为三个阶段，分别是人道主义的美学反思、主体性美学话语的场域自律以及诗性伦理的审美主义。该进程凸显了清晰的审美自律线索，表征出审美主体以感性“自由王国”对抗知识“他律化”的策略。“美学热”以“纯文学”“纯审美”等抵抗诗学的形式呈现个体面向历史的审美自由。这都给文学、艺术以及其他相关学科提供了美学阐释层面的合法性立场以及审美伦理的意义表达。与此同时，“美学热”也带来审美价值论、阐释论和接受论等方面的诸多问题。面对“美学热”的未完成性场景和审美自律论的局限，审美文化成为在新世纪延续审美救世话语和关注主体生存的崭新学科，也在更为多元化的学科场景中重新以“间性”视野延续“美学热”的审美激情与人学启蒙。 |
| |
| 关键词： 审美自律；“美学热”；现代性；启蒙；审美文化 |
| |
|
| |
From aesthetic self-discipline to aesthetic release: Theoretical construction and historical reflection of the Aesthetic Boom in the 1980s |
| |
PEI Xuan |
| |
（School of Literature, Henan University, Kaifeng 475001, China） |
| |
| Abstract: The Aesthetics Boom in the 1980s is a historical event that the aesthetic self-discipline deepened constantly while aesthetics field was constructed gradually, and is a cultural phenomenon in which the aesthetics itself constantly broke heteronomous discipline and constraints, and gradually attained self-discipline. The Aesthetics Boom can be divided into such three phases as humanitarian aesthetic reflection, field self-discipline of subjectivity aesthetics discourse, and the poetic ethics aestheticism. This process highlights a clear clue of aesthetic self-discipline, characterized by the strategy that aesthetic subject takes with its sense “freedom kingdom” in countering against knowledge “heteronomy”. The Aesthetics Boom presents a historical aesthetic individual freedom in face of history in the form of “pure literature”, “pure aesthetic” and other forms of resistance against poetics, providing the legal position and the meaning conveyance of aesthetic ethics for literature, art and other related subjects. But at the same time, it also brings many problems in terms of aesthetic values, interpretation theory, reception theory and the like. In face of unfinished scenarios and the limitations of the aesthetic discipline theory, aesthetic culture becomes a new discipline in the new century to continue the myth that aesthetics saves the world and cares for the individual existence, and, in more diversified discipline scene, to sustain the aesthetic passion of the Aesthetics Boom and the enlightenment of Man. |
| |
Key words: aesthetic self-discipline; the Aesthetic Boom; modernity; enlightenment; aesthetic culture |
| |
|
|
