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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2017年05月第23卷第3期
   
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文章编号:1672-3104(2017)03-0149-06
 
论八十年代与九十年代文学的现代性关联
 
卢衍鹏
 
(1. 东南大学艺术学院,江苏南京,210063;2. 枣庄学院文学院,山东枣庄,277160)
 
摘  要: 在“年代学”或“断代史”文学研究中,存在二元对立的思想倾向,从现代性、整体性的角度考察80年代文学与90年代文学的关系,更能发现两者在叙事上的“历史连续性”,其内在连续性大于表面的“断裂”和差异性。通过“缝合”历史的断裂带、对接80、90年代文学通道,梳理中国现代性历史经验的文学表达方式,发掘一条清晰的历史脉络来把握当代中国的自我理解和自我认同,并在连续性的时空中摸索其审美逻辑和内在规律。“现代派”小说表征了80年代中国的现代化想象和社会的现代化进程,表达了“个人”对“现代”的敏感体验,90年代关于现代性与后现代的纷争其实在80年代就已经开始。
 
关键词: 历史连续性;现代性;文学现代性;年代文学;现代性叙事
 
 
Modernity relevance of literature in the 1980s and the 1990s
 
LU Yanpeng
 
(College of Art, Southeast University, Nanjing 210063, China; Chinese Department, Zaozhuang College, Zaozhuang 277160, China)
 
Abstract: In literature studies on chronology or dynastic history, there exist two opposing ideological trends. So if we investigate the relationship between the 1980s and the 1990s, it will be easier to find out the narrative historical continuity of the two, and that their innate continuity is greater than their superficial “rupture” and otherness. By seaming historical rupture, and by abutting literature passages from the 1980s to the 1990s from modern and holistic perspective, the present essay hackles the literary expression for Chinese modern history and experience, finds a clear historical context to grasp the self understanding and self identity of contemporary China, and explores the aesthetic logic and internal rules in continuous space-time. Modernist novels represented Chinese imagination and social progress of modernization in the 1980s and expressed individual sensitive experience to the modern, from which actually started the dispute about modernity and post-modernism of the 1990s.
 
Key words: historical continuity; modernity; literary modernity; dating literature; modernity narrative
 
 
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