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| 文章编号：1672-3104(2016)05-0138-06 |
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从形式主义到图像学——潘诺夫斯基的透视学理论研究 |
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林成文 |
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（南京大学艺术研究院，江苏南京，210093） |
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| 摘 要： 潘诺夫斯基的透视学理论受到了李格尔的形式主义方法和卡西尔的符号哲学的影响，兼具“艺术风格”和“符号形式”这两层含义，呈现出从形式主义向图像学理论过渡的特质。作为透视法研究史上的经典之作，《作为符号形式的透视法》既是西方艺术史的一个转折点，也为当代视觉文化研究提供了一定的启发。 |
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| 关键词： 潘诺夫斯基；透视学；形式主义；图像学；视觉文化 |
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From Formalism to iconology: A study of Panofsky’s perspective theory |
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LIN Chengwen |
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（Institute of Art, Nanjing University, Nanjing 210093, China） |
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| Abstract: Panofsky’s perspective theory, influenced by Rigel’s Formalism and Cassirer’s sign philosophy, reflects both implications of artistic style and “symbolic form,” hence representing characteristics of transition from Formalism to iconology. As one of the most important works in the history of perspective study, Panofsky’s Perspective as Symbolic Form is not only the turning point in the history of western art, but also provides certain inspiration for the study of contemporary visual culture. |
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Key words: Panofsky; perspective; Formalism; iconology; visual culture |
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