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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2015年06月第21卷第3期
   
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文章编号:1672-3104(2015)03-0229-06
 
中国电影产业化进程中经典文本的建构
 
周才庶
 
(杭州电子科技大学人文与法学院,浙江杭州,310018)
 
摘  要: 人们对于经典的期待视野在于,经典是权威、典范的作品,在人类文化发展中有着久远的感染力量。在中国电影产业化的进程中,出现了群选经典化的趋势,这是观众能动作用加强的结果,也是电影经典建构必须要面对的一个新问题。电影产业中经典文本的建构不仅由学术精英进行指引式判断,而且参照大众的评价。大众并非缺乏文化积累的群体,他们往往能够提供质朴的观影体验。电影产业中经典文本的建构是对文化资本进行选择和分配的结果,经典作品将是文本必然性与文化任意性相结合的产物。
 
关键词: 电影产业;经典;群选经典化;大众;文本
 
 
The construction of classic movies in the Chinese film industry
 
ZHOU Caishu
 
(School of Humanities and Laws, Hangzhou Dianzi University, Hangzhou 310018, China)
 
Abstract: People’s expectation horizon to canons is that theymust beauthoritative and canonical with inspiring and far-reaching power in human development. And in the process of Chinese film industrialization, a new trend arises that masses take part in the construction of classic movies, which reveals both the audience’s active reinforcement and a new problem the construction must face. Under capital operation, the construction of classic movies not only goes under the guidance and judgment of the academic elite, but also refers to the views of the mass, who, not a group without cultural accumulation, tend to provide someunvarnished judgments of their movie experiences. The construction of classic movies is the result of choice and distribution of cultural capital, and the classic movies are the products of textual inevitability and cultural occasionality.
 
Key words: film industry; canon; the trend of mass selecting canon; the mass; text
 
 
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