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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2006年10月第12卷第5期
   
本文已被:浏览2980次    下载1080次   
文章编号:1672-3104(2006)05-0592-06
 
边缘抒情:论唐代女性诗歌的“复调性”
 
俞世芬
 
(杭州师范学院初等教育学院,浙江杭州, 310036)
 
摘  要: 借用“复调性”作为切入点,对被历史边缘化的唐代女性诗歌进行重新开掘与整合,着重探讨其在思想内容与表情方式上的两个分离点:首先,女性作品对于男性权力文化的依附与背离构成了唐代女性诗作的两种截然不同的风貌;其次,女诗人的自我独白与企求沟通以实现多层次的思想对话,又成为女性两种不同的言情策略和立身姿态。
 
关键词: 唐代;女性诗人;复调性;依附;背离;独白;对话
 
 
Expressing emotions on the verge of society
———On“the complex tone”in female poems of Tang Dynasty
 
YU Shifen
 
(Primary Education School, Hangzhou Teachers College, Hangzhou 310036, China)
 
Abstract: The prejudice and misunderstanding should not be avoidable if we survey female poems of Tang Dynasty in the cultural and historical background of the male-centered culture. Based on“The complex tone”, the paper explores and depicts female poems of Tang Dynasty to explain emphatically two distinctions between the ideology and expressing method. First, female poems presented two kinds of different mentalities because of depending on or deviating from the male-centered culture. Second, poetesses were provided with two kinds of different tactics of expression on the basis of their soliloquy and conversation in order to promote mutual understanding.
 
Key words: Tang Dynasty; female poets; complex tone; adherence; deviation; soliloquy; conversation
 
 
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