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| 文章编号：1672-3104(2006)04-0393-07 |
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中国文论身份与文学创新 |
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王岳川 |
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（北京大学中文系,北京, 100871） |
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| 摘 要： “文学性”问题,在今天主要讨论的是社会变迁中的文学身份定位问题。当代中国在文学的对象、文化知识建构、文化误读和文学误读,中国文化“身份”等方面出现了一些争论,显示了文学身份认同的危机。中国文论身份出现了辨识上的危机。文论的创新与中国立场紧密相关,文化和文论创新有助于推进新世纪“中国形象”的立场定位。在当代中国,文论体系创新尚无哲学根基,文论范畴创新尚无文学的丰厚土壤,文化创新又变成学科的身份无定,因此,文论流派原创是文论创新最切实有效的方式。 |
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| 关键词： 文学性;中国文论身份;文论创新;中国形象;流派原创性 |
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On the status of literary criticism and literary innovation in China |
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WANG Yue-chuan |
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（Department of Chinese Language, Beijing University, Beijing 100871, China） |
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| Abstract: The matter of literariness being duscussed in our time centers on the problem of orientation of literature identification in social changes. Some disputes in object of literature, cultural knowledge construction, culture misread, literature misread and culture identification, etc in contemporary China show the crisis of literature identification recognization. The innovation of literary criticism integrates closely with China s position, while the innovation of culture and literary criticism is conducive to“China image”in 21th Centure. In contemporary China, the innovation of literary criticism system has no foundation of philosophy, and the innovation of literary criticism category has no“fertile soil”of literature, while the innovation of culture can t be subject. Thus, the originality of literary criticism schools is the most effective method of the innovation of literary criticism. |
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Key words: literariness; the status of Chinese literary criticism; the innovation of literary criticism; China image; the originality of schools |
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