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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2009年10月第15卷第6期
   
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文章编号:1672-3104(2009)06-0807-06
 
何其芳《预言》后期创作与艾略特的影响
 
谭德晶
 
(中南大学文学院,湖南长沙,410083)
 
摘  要: 何其芳在《预言》后期创作了一些具“荒原”色彩的诗篇。这些诗篇既渗透着艾略特的影响,又具有何其芳自身的特色。就前者而言,何其芳此类诗作中对都市荒凉、衰败的表现与批判、对“荒原”的环境描写及其意象艺术、怪诞的艺术表现,都与艾略特有着关系;就后者而言,何其芳对“荒原”的表现与批判主要是针对当时他眼中的古老民族的荒凉与衰败的,环境表现及其意象艺术也具有北方和北平古城的地方特色,而怪诞的艺术则主要是他的梦幻艺术个性在“荒原”诗作中的体现。
 
关键词: 何其芳;《预言》;艾略特
 
 
He Qifang’s Prediction and T. S. Eliot’s influences
 
TANG Dejin
 
(School of Chinese Language and Literature, Central South University, Changsha 410083, China)
 
Abstract: In the later period of his writing of Prediction, He Qifang wrote some poems with the flavor of the “wasteland”. These poems displayed the influences from T. S. Eliot’s Wasteland, and at the same time possessed their own characteristics. On the one hand, the expression and criticisms of the desolation and declining of metropolises, the description of the environment of the wasteland, and the manifestation of image and eeriness in these poems all had some relationship with Eliot; on the other hand, He Qifang’s expression and criticisms of the “wasteland” mainly aimed at what he regarded as the desolation and declining of an ancient nation. The description of the environment and the art of image also had the local characteristics of the north regions and old Peking, whereas the art of eeriness mainly reflected his personality of dreamlike art in the poems of the “wasteland”.
 
Key words: He Qifang; Prediction; T. S. Eliot
 
 
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