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| 文章编号：1672-3104(2009)05-0692-06 |
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性别·话语·策略
——从序跋视角解读明清女性的戏曲批评 |
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刘奇玉 |
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（湖南科技大学人文学院，湖南湘潭，411201） |
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| 摘 要： 据现有资料，女性直到明嘉靖年间才以序跋形式步入戏曲批评领域。她们重视女性的创作和戏曲中的女性人物形象，称许其才华，关注其情感，推崇其品德，往往借以自抒心绪，希望能为女性同胞振臂一呼，具有鲜明的女性性别认同意识，在读者中起到一定的提醒和引导作用。 |
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| 关键词： 戏曲序跋；戏曲批评；女性；性别意识 |
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Gender, speech and strategy: from a perspective of preface and
postscript to women dramatic |
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LIU Qiyu |
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（School of Humane Studies, Hunan University of Science and Technology, Xiangtan 411201, China） |
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| Abstract: It is justifiable in asserting that the women critics emerged in the mid-Ming Dynasty, who reviewed the drama in the form of preface and postscript. These women critics paid most of their attention to the talents, the emotion and the moral of the women playwright and the female characters in the drama and at the same time expressed their own thought in order to awaken and guide the audience to a certain extent. |
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Key words: preface and postscript to the drama; dramatic criticism; women; gender consciousness |
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