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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2022年03月第28卷第2期
   
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文章编号:1672-3104(2022)02-0124-07
 
身体伦理视域下的舞蹈艺术异化
 
李建华1,2,郭昳欧3
 
(1. 中南大学公共管理学院,湖南长沙,410083;
2. 武汉大学哲学学院,湖北武汉,430072;
3. 中南大学建筑与艺术学院,湖南长沙,410083)
 
摘  要: 舞蹈艺术的异化导致了身体本质的异化,即身体伪像的形成,具体表现为舞蹈身体的“伪认识”“伪实践”和“伪传递”。舞蹈艺术异化,一是源于人们对身体认知的四个变化,即从经验身体向超验身体的“上升”,从表象身体向概念身体的“深入”,从有限身体向无限身体的“拓宽”,从非批判性身体向批判性身体的“落地”。二是源于现代社会身体伦理的缺失,具体表现为:工具理性的思维方式;资本逻辑的价值观念;生理身体的景观属性理念。
 
关键词: 舞蹈艺术;身体伦理;异化;现代性
 
 
The alienation of dance art from the perspective of body ethics
 
LI Jianhua1,2, GUO Yiou3
 
(1. School of Public Administration, Central South University, Changsha 410083, China;
2. School of Philosophy, Wuhan University, Wuhan 430072, China;
3. School of Architecture and Art, Central South University, Changsha 410083, China)
 
Abstract: The alienation of dance art leads to the alienation of body essence, that is, the formation of body pseudo-images, which is manifested in the "pseudo-cognition", "pseudo-practice" and "pseudo-transmission" of the dance body. The alienation of dance art stems, firstly, from four changes in people’s perception of the body, namely, the "ascending" from the empirical body to the transcendental body, the "deepening" from the representational body to the conceptual body, the "widening" from the finite body to the infinite body, and the "landing" from the non-critical body to the critical body. Secondly, it stems from the lack of body ethics in modern society, which is manifested by the way of thinking of instrumental rationality, the values of capital logic, and the idea of landscape properties of the physical body.
 
Key words: dance art; body ethics; alienation; modernity
 
 
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