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| 文章编号：1672-3104(2021)06-0177-11 |
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王船山诗学思想与网络文艺的文艺性再造 |
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聂茂，付慧青 |
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（中南大学文学与新闻传播学院，湖南长沙，410083） |
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| 摘 要： 作为一种新兴的文艺样态，网络文艺基于媒介思维建立了独特的审美风格与艺术编码，但同时“网络性”衍生的亚文化特性、文化边缘性以及后现代主义倾向又使网络文艺逐渐丧失其“艺术性”，有些作品甚至偏离了文艺作品作为精神产品应有的存在基点与价值原点。王船山诗学思想是一个博大精深的体系，其内在的当代价值因子对实现网络文艺的文艺性再造具有重要的针砭作用与启示意义：网络文艺的存在之基应与人的生命意义的责任向度同构，追求具有人文底色的技术原道；在创作上应将技术美学与中华传统美学相调和，追求“文质兼美”的审美理想；其发展应以中华传统文化精神为价值本位，发扬诗教传统，通过挖掘质的精神性、民族性、共通性以实现价值回归，真正发挥网络文艺作为精神性文艺产品应有的培根铸魂之用。 |
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| 关键词： 网络文艺；王船山；诗学思想；文艺创作；当代价值 |
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Wang Chuanshan's poetics and the artistic recreation of network literature and art |
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NIE Mao, FU Huiqing |
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（College of Literature and Journalism, Central South University, Changsha 410083, China） |
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| Abstract: As a new style of literature and art, network literature and art have established a unique aesthetic style and artistic code based on media thinking. But meanwhile, the sub-cultural characteristics, cultural marginality, and postmodernist tendencies derived from "networking" have led to the fact that network literature and art have gradually lost its artistry, with some works even deviating from their existential basis and value origin as spiritual productions. Wang Chuanshan's poetics provides a measurable aesthetic value scale, whose intrinsic contemporary value is of important referential and enlightening significance in realizing literary recreation of network literature and art. The existential foundation of network literature and art should be of the same construction as the responsibility dimension of human life, pursuing the technical original path with humanity as the background. In terms of creation, technical aesthetics should be coordinated with Chinese traditional aesthetics, seeking the aesthetic ideal of "integrating quality and beauty". Its development should take traditional Chinese cultural spirit as the value orientation, carry forward the tradition of poetry and education, realize the return of value through the excavation of qualitative spirituality, nationality, and commonality, and give full play to the root-cultivating and soul-casting roles of network literature and art as spiritual arts and productions. |
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Key words: media art; Wang Chuanshan's poetics; literary creation; contemporary value |
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