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文章编号:1672-3104(2009)-0434-05 |
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戴着镣铐的舞蹈 —建国前周扬与马克思主义文艺理论的中国化 |
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胡志明1,秦世琼1,周世安2 |
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(1. 湖南科技大学人文学院,湖南湘潭,411201;2. 泥江口镇中学,湖南益阳,413100) |
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摘 要: 周扬的文艺思想体现了马克思主义文艺理论在中国发展的历程,其最大的特点就是努力将马克思列宁主义的基本原理与中国的文艺实际相结合。高度重视和强调马克思主义文艺发展观和实践论,是建国前周扬现实主义理论的逻辑起点。周扬的文艺批评,主要表现为作为政治家的社会政治批评以及作为理论家的审美鉴赏式批评。 |
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关键词: 周扬;马克思主义文艺理论;中国化 |
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The dance of wearing shackles —On Zhou Yang and indigenization of Marxist literary theory before the establishment of the PRC |
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HU Zhiming, QIN Shiqiong, ZHOU Shian |
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(School of Humanities, Hunan University of Science and Technology, Xiangtan 411201, China) |
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Abstract: Zhou Yang’s literary theory and critical activity reflected the course the indigenization of Marxist literary theory in China, and unified the Marxist-Leninist basic principle and Chinese literary theory diligently. Zhou Yang’s Realism theory before the founding of the PRC took Marxism literary development view and the practice theory as the logical starting point. His literary criticism was the combination of his social-political criticism as a statesman and his aesthetic appreciation as a writer. |
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Key words: Zhou Yang; Marxism literary theory; indigenization |
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