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| 文章编号：1672-3104(2016)01-0197-06 |
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论石黑一雄的历史创伤书写 |
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梅丽 |
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（上海外国语大学法学院，上海，200083） |
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| 摘 要： 英国作家石黑一雄是一位书写历史创伤的大师。他并不采用“幸存者文学”的现实主义手法再现创伤性事件，而是执着地探寻历史的内在真实，即从个体的角度探寻历史事件背后的个人命运和内心情感。石黑一雄在《浮世画家》《上海孤儿》和《长日留痕》等小说中采用特殊的叙事策略，通过“我”的多样性投射、偏离性的叙述和矛盾性的叙述，以精湛而巧妙的文学方式揭示社会历史进程对个体的冲击，表现人们的伤痕记忆和精神困境，为人们审视历史创伤、思考道德责任和寻找自我价值提供了独特的文化视角。 |
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| 关键词： 石黑一雄；历史；创伤； 叙事策略；《浮世画家》；《上海孤儿》；《长日留痕》 |
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Kazuo Ishiguro’s writing of historical trauma |
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MEI Li |
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（School of Law, Shanghai International Studies University, Shanghai 200083, China） |
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| Abstract: Kazuo Ishiguro is a master of writing historical trauma. Instead of describing the historical events in a realistic manner, he seeks for the inner truth in the fate and feelings of the individuals who suffer from traumatic historical events. In the novels of An Artist of the Floating World, When We Were Orphans, and The Remains of the Day, he develops special narrative strategies to reveal the impact of the historical events on the individuals and their spiritual dilemma, namely, the multiple projections of “I”, digressive narration and contradictory narration. His works offer us an enlightening perspective to reflect on our history, moral obligations and self value. |
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Key words: Kazuo Ishiguro; history; trauma; narrative strategy; An Artist of the Floating World; When We Were Orphans; The Remains of the Day |
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