|
| 文章编号：1672-3104(2015)04-0203-06 |
| |
|
狂欢与规训——大众文化视域下的“余秀华诗歌现象” |
| |
陈守湖 |
| |
|
（武汉大学文学院，湖北武汉，430072） |
| |
| 摘 要： 在微信朋友圈中意外走红的余秀华诗歌，告别了自足自为的私性书写，进入到众声喧哗的大众文化场域。在这个杂合着消费法则、话语权力、身份符码的场域里，上演了一场网络社群的诗学狂欢，进而获得了主流媒体和出版机构的关注。从自为到共谋，从沉默到喧嚣，从抵抗到融合，余秀华诗歌的民间立场和草根书写的意义在某种程度上被遮蔽与规训。 |
| |
| 关键词： 民间诗人；大众文化；狂欢；规训 |
| |
|
| |
Revelry and discipline: the phenomenon about YuXiuhua’s poetryfrom the perspective of mass culture |
| |
CHEN Shouhu |
| |
（College of Literature, Wuhan University, Wuhan 430072, China） |
| |
| Abstract: YuXiuhua’s poetry, which has become unexpectedly popular through WeChat, symbolizes an end to the self-sufficient private writing as well as an entry into the field of mass culture, which is full of various sounds, consumption law, discourse power and identity code. At the same time, network community has directed carnival poetry which gains much attention from the mainstream media and publishers. In some sense, Yu Xiuhua’s poetry has undergone a process from writing for herself to writing for others, from silence to hubbub and from resistance to fusion, in which the folk standpoint and grass-root writing of her poetry have been obscured and disciplined. |
| |
Key words: folk poet; mass culture; revelry; discipline |
| |
|
|
