|
| 文章编号：1672-3104(2015)03-0212-06 |
| |
|
20世纪30年代都市小说的主题表达 |
| |
甘宇慧 |
| |
|
（浙江传媒学院文学院，浙江杭州，310000） |
| |
| 摘 要： 在20世纪30年代，随着中国都市的畸形繁荣，都市文学逐渐兴起。现代都市作家一方面被都市文明所代表的现代性而吸引，另一方面又常常站在传统文化的立场上，审视和批判具有“异质性”的都市文明，尤其是都市文明所带来的社会文化发展的负面效应。因此，这一时期的都市小说在主题表达上，往往呈现出一种与现代西方文学及中国传统文学都迥异的特质，一些极具都市文化特性的异化主题、漂泊主题、性爱主题等，在小说的表达上，都带有明显的现代西方文化与中国传统文化纠缠的痕迹。正是在这种纠缠与挣扎中，伴随着中国的现代化进程，现代都市文学的主题表达，具有一种独特的现代性价值内涵。 |
| |
| 关键词： 都市小说；异化主题；漂泊主题；性爱主题 |
| |
|
| |
The thematic expression of urban novels in the 1930s |
| |
GAN Yuhui |
| |
（School of Literature, Zhejiang University of Media and Communications, Hangzhou 310000, China） |
| |
| Abstract: In the 1930s, with the abnormal prosperity of the city in China, urban literature gradually went on the rise. Modern writers, on the one hand, are attracted by the modernity of urban civilization. But on the other hand, they stand in the position of traditional culture, examining and criticizing the “heterogeneity” of urban civilization, especially the negative effect of social and cultural developments brought by the urban civilization. Therefore, as far as thematic expression is concerned, urban novels of the time often manifest a feature different from both modern western literature and Chinese traditional literature. In expressing some typical themes of urban culture which include alienation, wandering, sex and the like, there can be found entangling hints of modern western culture and Chinese traditional culture. It is in this entangling and struggling that the thematic expression of modern urban literature, along with China’s modernization process, is endowed with a unique connotation and modern value. |
| |
Key words: urban novels; alienation; wandering; sex |
| |
|
|
