|
| 文章编号：1672-3104(2014)02-0228-06 |
| |
|
《三里湾》对农村“集体”的想象及其局限 |
| |
王再兴 |
| |
|
（怀化学院中文系，湖南怀化，418008） |
| |
| 摘 要： 从历史和文献来看，1949—1966年中国农村集体主义革命中的“集体”，其形态与意义都是被逐步想象和建构起来的。《三里湾》依托于“社员”、工分和“户”等层面，揭示了其时三里湾的农民正在开始走向现代性的社会。但是，赵树理和《三里湾》的卓越之处更在于，经由“民间传统”、口头语言以及与农民群众“共事”等问题，“集体”概念的内涵被给予了孤绝而幽深的辩难。赵树理是谨慎的，他执着地坚持“有多少写多少”，这使得“三里湾”同时也留下了复杂的历史遗响。 |
| |
| 关键词： 农民小说；赵树理；《三里湾》；集体主义革命；想象 |
| |
|
| |
Imagination of collective in countryside and its limitation of Zhao Shuli in Sanli Wan |
| |
Wang Zaixing |
| |
（Department of Chinese, Huaihua College, Huaihua 418008, China） |
| |
| Abstract: In China’s collectivistic revolution of village in 1949-1966, seen from the history and the documents, the appearance and the meanings of “collective” were gradually imagined and constructed. Tracing the levels of “member-peasant”, workpoints and “household”, etc, the novel SanliWan indicated that the mass in the village were heading for the society of modernity. But, the real excellences of Zhao Shu-li and his SanliWan lay in that, through “folk tradition”, oral language, and “working together” with the crowd, the content of concept “collective” is given some unique and profound meanings. |
| |
Key words: Rural fiction; Zhao Shu-li; SanliWan; Collectivistic revolution; Imagination |
| |
|
|
