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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2013年08月第19卷第4期
   
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文章编号:1672-3104(2013)04-0187-04
 
论汤显祖“为情作使,劬于伎剧”思想的成因
 
储著炎
 
(安庆师范学院黄梅剧艺术学院,安徽安庆,246133)
 
摘  要: 达观禅师之所以提出“情有者理必无,理有者情必无”这一佛学论断,其用意在于劝说汤显祖以理破情,进而皈依佛法。在佛学层面上,汤显祖虽然认可达观的这一说法,但是两人在人生哲学、文艺观念等方面存在着的诸多差异,使得汤显祖对于情理问题有着不同于达观的独特思考。根植于内心深处的儒家救世情结,加之达观实践人格的实际影响等等因素的交互,最终坚定了汤显祖“为情作使,劬于伎剧”的人生道路。
 
关键词: 汤显祖;达观;为情作使;劬于伎剧;禅学;儒家救世情结
 
 
The Cause of “Opera Creation for Emotion” of TANG Xianzu
 
CHU Zhuyan
 
(Huangmei Opera School of Art, Anqing Normal University, Anqing 246133, China)
 
Abstract: The Zen master DA Guan put forward “emotion and reason are incompatible” aimed at telling TANG Xianzu to cut off emotion and prevent him from converting to Buddhism. Although TANG Xianzu recognized this statement from Buddhism, he had unique thinking about this problem because of their differences such as philosophy and literary view. The salvation sentiments rooted in Confucian, in addition to the personal quality of DA Guan, finally led him to “Opera Creation for Emotion”.
 
Key words: TANG Xianzu; DA Guan; Opera Creation for Emotion; thought origin; Buddhism; the salvation sentiments
 
 
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