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| 文章编号：1672-3104(2013)02-0187-05 |
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南朝诗风新动向与“秀”的理论形成 |
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张甲子 |
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（东北师范大学文学院，吉林长春，130024） |
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| 摘 要： 南朝诗歌的艺术走向，以秀句、秀象、秀境的形成为典型特征。刘勰在《文心雕龙》中将其概括为“句之独拔”、“象之卓绝”、“境之浑融”，这一理论表述与创作实践的相辅相成，是对南朝诗风新动向的理论概括和实践总结。 |
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| 关键词： 刘勰；南朝诗；“秀”；《文心雕龙》；秀句；秀象；秀境 |
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The Poem Style Change and Theory Formation of “Xiu” (Indication) in the Southern Dynasties |
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ZHANG Jiazi |
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（College of Liberal Arts, Northeast Normal University, Changchun, 130024, China） |
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| Abstract: In the Southern Dynasties, the trends of the poem style marked by the formation of the sentence indication, image indication, and indication of artistic conception. Liu Xie’s The Literary Mind and Carving of Dragons, have summarized “outstanding sentence”, “excellence image”, “a perfect combination of artistic conception”. The theoretic representations and creative practice complement each other, representing the theoretical generalization and practice summary of the poem style change in the Southern Dynasties. |
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Key words: poems in the southern dynasties; indication; The Literary Mind and Carving of Dragons |
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