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| 文章编号：1672-3104(2012)03-0227-04 |
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师法自然的自由创作
--对“诚斋体”之“自然”特质的深层阐析 |
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熊海英 |
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（江汉大学人文学院，湖北武汉，430056） |
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| 摘 要： 以江西派为代表的宋诗着力表现人文意象和主观世界，改变了唐诗的审美范式。南宋杨万里则把诗笔重新转向自然，并重视在创作中保持和表现性灵本真；他摒弃写作成法、惯用语言及传统意象固有内涵，用自己的语言和方式表达对自然的直接印象，描画和传递各种未经人道、难以言传的新鲜情景与趣味。“诚斋体”打破成法的自由创作精神引领了南宋中后期的诗歌新变潮流。 |
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| 关键词： 南宋；江西诗派；杨万里；诚斋体；自然 |
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A further Analysis of the Natural characteristics of the Chengzhai Style poems |
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XIONG Haiying |
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（School of Humanities, Jianghan University, Wuhan 430056, China） |
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| Abstract: Song Poetry, which was represented by Jiangxi Poetical School, had changed the aesthetic paradigm of Tang Poetry, in the aspects of keeping sentiment and scenary in harmony, as well as balancing subject and object, which focused on humanistic image and subjective world. The Chengzhai Style, created by the poet Yang Wanli of the Southern Song Dynasty, turned to focus on the nature again. He stressed that nature needed to be kept and showcased in creative work. He broke through his former writing method, habitual words as well as traditional images. Instead, he used his own words and ways to express the direct impression of the nature, depict and conveying kinds of indescribably interesting scenes. The natural particularity of Chengzhai Style had a comparatively important impact on the transformation of the Southern Song Poetry. |
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Key words: the Southern Song Dynasty; Jiangxi Poetical School; Chengzhai Style; Nature |
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