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| 文章编号：1672-3104(2012)06-0153-07 |
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《古文苑》辞赋观及其选本批评形态意义 |
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彭安湘 |
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（湖北大学文学院，湖北武汉，430062） |
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| 摘 要： 《古文苑》是一部通代诗文总集，选录了诗、赋、文等十八类文体，其中赋体卷数最多，比重最大。在其“思古而贵于兼存”和补《文选》之所遗的编撰目的下，其编排体式、选录原则、选录眼光及选录志趣等四个方面综合表明了《古文苑》的辞赋观为：以古为尚、以小为美、雅俗兼具。《古文苑》是以《文选》为首的赋学批评形态在后世影响流布系统中的一份子，在选择、衡鉴、去取、编排以及序注的过程中传达出自己的赋学观念和批评意见，体现出中国赋学批评形态的多样性。 |
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| 关键词： 《古文苑》；辞赋观；《文选》；选本批评形态 |
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Concept and significance about critical formations on Fus of Gu WenYuan |
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PENG Anxiang |
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（School of Literature, Hubei University, Wuhan 430062, China） |
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| Abstract: “GuWenYuan” is a collection of classic poems and articles.The volume and proportion of Fus occupy the largest part in it.After making a study of Fus in this work, we find that Concept of Fus in it is weighing the Gu Fu in an aesthetic angle while less for beauty , as the scope of selection, sequence of styles , selection criteria, etc. Although GuWun yuan made WenXuan a model when compiled, it has its unique style. So GuWun yuan adds the diversity of Chinese antient anthology with its character. |
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Key words: GuWenYuan; WenXuan; Concept of Fus; critical formation;significance |
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