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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2012年12月第18卷第6期
   
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文章编号:1672-3104(2012)06-0143-05
 
视角的选择与转换--方方小说的影视化改编探析
 
冯岭
 
(江汉大学人文学院,湖北武汉,430056)
 
摘  要: 方方的小说从多个方面描绘了变化多端的现实人生和心灵世界,其中最引人注目的是她以俯视的角度来观察生活,使艺术世界在时空阔度上得到最大限度的显现,其作品有一种现实的深刻性和审美的深邃性。她的一些作品被影视导演青睐而被改编成了电影、电视剧。改编后,影视文本叙事视角的下移和性别视角的转变,产生了与原著不同的艺术效果,同样具有无法替代的艺术魅力,对今后影视剧的改编有重要的启示作用。通过对方方小说改编现象的分析,探讨影视改编中审美视角的选择、转换与作品审美意义的关系等问题。
 
关键词: 方方小说;视角转换;改编; 影视;艺术
 
 
Selection and transformation of perspective

-An analysis of the film and television adaptations of Fang Fang’s novels

 
Feng Ling
 
(Jianghan University of the humanity academy enthusiastically, Wanhan 430056, China)
 
Abstract: Fang Fang’s novels are based on a relatively high position in many ways to describe the vagaries of life and spiritual world, but most of them overlooked the striking due to her observation in the context of life, making art world in time and space and maximize appeared in width, brings a depth of reality and literary works of aesthetic profound. Fiction reveal one by one from a female point of view about the nature of existence of women and female proposition by alienation. Some of her works being adapted into movies, television dramas. Adapted for television text down and changing the gender perspective of narrative, which has had a different and original artistic effect, art cannot be equally charming, adaptation has important implications for future films and roles. For this purpose, the paper made an analysis of Fang Fang’s novel phenomenon, to explore the aesthetic angle of choice in the television adaptation, transformation and aesthetic significance of the work relationship, and so on.
 
Key words: Fang Fang novels; perspective; transformation adaptation; film and television; art
 
 
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