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| 文章编号：1672-3104(2012)02-0186-04 |
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论张艺谋电影中女性意识的渐变 |
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张贞 |
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（江汉大学人文学院，湖北武汉，430056） |
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| 摘 要： 从《红高粱》时代对自主、对抗的女性意识的张扬，到《秋菊打官司》之后女性魅力与欲望的缺失，再到《英雄》开启的奇观电影里对女性身体的“视觉消费”，张艺谋电影中的女性意识存在着一个逐渐隐退的过程。在这一过程背后，有着丰富的社会历史文化内涵和电影叙事策略。 |
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| 关键词： 张艺谋；女性意识；身体；电影；《红高梁》；《秋菊打官司》；《英雄》 |
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The change of the female consciousness on
the films directed by Zhang Yimou |
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ZHANG Zhen |
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（Humanities College Jianghan University, Wuhan 430056, China） |
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| Abstract: The female consciousness on the films directed by Zhang Yimou appears a vanishing trend. At first, Zhang Yimou publicized the independent female consciousness in the “Red Sorghum” period. Then he began to give up the women’s charm and desire from “The Story of Qiu Ju”. After that, Zhang Yimou fully used the “female body” to meet the audience visual consumption and completely banished female consciousness in these films such as “Hero”. In fact, Zhang Yimou expressed rich social historical cultural connotation and movie narrative strategy in this process. |
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Key words: Zhang Yi-mou; female consciousness; body; movie; Red Sorghum; The Story of Qiu Ju; Hero |
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