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| 文章编号：1672-3104(2011)06-0181-05 |
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明刊本《香山记》的剧本形态及演出特征 |
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周秋良 |
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（中南大学文学院，湖南长沙，410083） |
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| 摘 要： 明刊本《香山记》是古代敷演妙善传说的一个重要剧本。原本已不存，现存明刊本是明代万历年间富春堂根据当时流行的剧本形式刊刻而成。从整体来说，富春堂刻本是一个舞台演出本，刊印者只是把舞台演出本改为当时流行剧本样式，而没有改变其内容。其演出具有很强的祭祀仪式功能，是一个典型的仪式剧。《香山记》剧本反映了妙善故事传播中一个无文字记录的民间系统特点。 |
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| 关键词： 《香山记》；妙善故事；剧本形态；演出特征 |
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Morphology and performance characteristics of Xiangshanji
published in Ming dynasty |
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ZHOU Qiuliang |
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（School of Literature, Central South University, Changsha 410083, China） |
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| Abstract: Ming block-published book of the Xiangshanji is an important ancient legend of Miaoshan, which, however did not exist, Fu Chuntang block-published book in Wanli period of Ming dynasty was based on the existing script forms of popular movements formed at that time. As a whole, Fu Chuntang-Shchedrin is a stage, published just this to the then popular theatrical play style, without changing its content. The performances have strong ritual function, and it is a text that changed from religious ceremonies to theatre, that is, it was a ritual drama. The Xiangshanji reflects the characteristics of legends of Miaoshan in which a civil system features with no written records can be found. |
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Key words: xiangshanji; legends of miaoshan; Morphology; performance characteristics |
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