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| 文章编号：1672-3104(2012)01-0201-07 |
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唐末贯休诗歌用韵考及其所反映的方音特点 |
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付新军 |
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（陕西师范大学文学院，陕西西安，710062） |
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| 摘 要： 僧侣诗人的用韵往往会有出韵的表现而显得比较特别，这些出韵的表现常常是诗人受自己方音影响的结果。对唐末僧侣诗人贯休的诗歌用韵情况做穷尽式地考察，并参照《广韵》独用、同用的规定，统计其韵部通押的各种情况和通押比例，归纳出其诗歌的韵部。同时，就所得的韵部与中唐26部诗韵，晚唐僧侣15部韵以及宋代通语18部词韵的异同点进行了探讨。重点是结合相关历史文献以及诗人的方言，对诗人用韵中的出韵、特韵现象进行了讨论。结果表明这些特韵通押是有方言语音基础的，它们是诗人方音的流露，说明了僧侣诗人用韵常有以方音入韵的事实。 |
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| 关键词： 贯休；韵脚；韵部；同用；方言 |
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The Study on Rhyming in Guan Xiu’s Poetry in Late Tang Dynasty and the Dialect Features from Poetry’ Rhyming |
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FU Xinjun |
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（College of Language and Literature, Shaanxi Normal University, Xi’an, 710062, China） |
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| Abstract: The monk poets’ poetry rhyming is always special because of the phenomenon of chuyun, which is the result of the influences of the poets’ dialects. Analyzing Guan Xiu’s rhyming in his poetry from the common system, the author has counted all kinds of patterns of his poetry rhyming reference to the regulation of《Guangyun》’Duyong, Tongyong. In addition, th is paper has discussed the similarities and dissimilarities of 26 categories of poetry rhymes in the middle Tang Dynasty, 15 categories of the monk poetry rhymes in late Tang Dynasty and 18 categories of standard words rhymes in Song Dynasty. The main point is that the author has demonstrated the special rhyming phenomenon of Guan Xiu’ poetry reference to some related historical records and poet’s dialect. The result shows that these special rhymings have a dialect foundation, and the reflection of the poet’s dialect, which illustrates the fact that the monk poets would rhyme with their dialects, couldn’t be affected by the Gong Ling. |
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Key words: Guan Xiu; feet; rhyming; simultaneous; dialect |
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