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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2012年02月第18卷第1期
   
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文章编号:1672-3104(2012)01-0159-07
 
基于“抗战”“文学”视点的“抗战文学”论析
 
刘江
 
(柳州铁道职业技术学院科研处,广西柳州,545007)
 
摘  要: 具有特指意义的“抗战文学”,应该是指“九一八”至1945年抗战结束期间所创作和发表的直接反映抗日斗争,或者描写与抗战相关的生活,以抗日为思想指向的文学作品,而不应该只是指“八年抗战时期所产生的直接描写抗日战争的文学”。这一文学在毛泽东《在延安文艺座谈会上的讲话》之前表达的是悲愤的情怀,之后则是洋溢着奋发、乐观的精神。它的内容特点是把描写抗战和揭露国民党的丑行结合起来,塑造出的典型都是反面形象。此外,它还具有突出的文化性、强烈的现实主义精神和色泽分明的人物描写等特点,同时也展现了许多作家的个人风格。作为整体的抗战文学,是我国文学史上最辉煌的反侵略文学。
 
关键词: 抗战文学;悲愤;激昂;文化性;现实主义精神;人物色彩
 
 
On the Anti-war literature:
An analysis from the rerspective of “Anti-war and literature”
 
LIU Jiang
 
(Research Department, Liuzhou Railway Vocational and Technical College, Liuzhou 545007, China)
 
Abstract: “War literature” should refer to the works which were created and published to directly reflect the anti-Japanese struggle from “9∙18” till the end of the Anti-war in 1945, or decrypt the life associated with resistance to the Japanese invaders, which should not only limited to the “eight-year war.” The literature expressed the feeling of anger before the “Speech”, then it was filled with energetic, optimistic spirit. It was characterized by the description of the contents of the war and the scandal exposed the KMT, which created a negative image of the typical. In addition, it had outstanding culture, strong spirit of realism, and colorful portrayal characteristics, it had also demonstrated the personal styles of many writers. War literature, as a whole, it was the most brilliant literary aggression in China’s literary history.
 
Key words: Anti-war literature; grief; passionate; cultural; realism; character color
 
 
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