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| 文章编号：1672-3104(2007)04−0465−06 |
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幽人空山，过雨采蘋——唐代诗歌蘋意象探微 |
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张俊峰 |
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（南京师范大学文学院，江苏南京，210097） |
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| 摘 要： 蘋意象源自《诗经》，经过汉魏六朝的逐步发展，在唐代诗歌中已经蔚为大观。蘋南北均有，但在唐代诗歌中江南化色彩日浓，成为典型的江南风物的象征符号，而且获得了色、香、姿等自然形态方面的审美观照。此外，它还被赋予了多重情感寄托和象征意义，如以蘋的柔顺比喻女子的品行及对情人的相思，以蘋的素雅比喻封建士大夫无瑕的人格追求，以蘋的野生特性象征文人任性自然的生活方式。 |
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| 关键词： 唐代诗歌；蘋意象；江南；象征符号 |
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On the image of marsilea quadrifolia in Tang Dynasty’s poems |
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ZHANG Junfeng |
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（School of Literature, Nanjing Normal University, Nanjing 210097, China） |
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| Abstract: The marsilea quadrifolia is one of important plant images in Chinese classics which originated from “Book of Songs”. After the progressive development of Han Dynasty and Wei Jin times, it had already been more fully reflected in Tang Dynasty. It had not only experienced the regional transformation in the Tang Dynasty, and became the symbolic mark of local scenery in south of the lower reaches of the Changjiang River. It was also given the multiple emotional and symbol significance, such as parting with friends, women’s compliance and the lovers’ love, and it’s simple and elegance same with the literati and officialdom’s personality, and the wild characteristics corresponding with literatis natural lifestyle as well. |
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Key words: the image of marsilea quadrifolia; south of the lower reaches of the Changjiang River; symbol |
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