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| 文章编号：1672-3104(2007)04−0461−04 |
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破碎：叙事的向度和强度——评毕飞宇长篇小说《平原》 |
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李前刚 |
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（沈阳师范大学文学院，辽宁沈阳，110034） |
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| 摘 要： 叙事整体性的破碎是当代小说创作的一大表征，毕飞宇的《平原》也无可避免地遭遇了这样的难题。但是，整体和局部都是相对的表述，没有终极的、永恒的文学创作准则和叙事规范，文学的真正开放性应该在于，既强调对叙事的整体性追求，也不否弃破碎的局面。 |
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| 关键词： 《平原》；毕飞宇；叙事手法；整体性；破碎 |
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Broken: narrative orientation and intensity——On Bi Feiyu’s novel “Plain” |
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LI Qiangang |
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（College of Chinese language and literature, Shenyang Normal University, Shenyang 110034, China） |
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| Abstract: Narrative integrity broken is a big attribute of contemporary novel creation, Bi Feiyu’s “Plain” also has naturally naturally encountered such a difficult problem. But, the whole and part are all relatively indicating, having no ultimate, eternal literature creation criterion and narrative standard, literature’s true openness should lie in, not only emphasizing to pursue the narrative integrity, but also keeping the broken aspect. |
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Key words: “Plain”; Bi Feiyu; narrative technique; integrity; broken |
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