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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2010年06月第16卷第4期
   
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文章编号:1672-3104(2010)04-0132-05
 
论狄更斯小说的狂欢化特征及狂欢精神
 
刘白
 
(湖南师范大学文学院,湖南长沙,410081;湖南科技大学外国语学院,湖南湘潭,411201)
 
摘  要: 狄更斯在创作过程中,不断超越自我、消解精英意识、颠覆既成叙述模式和传统审美原则,其小说打破了等级制度对人们行为、语言、姿态、思维方式等各方面的束缚,具有强烈的狂欢化色彩。狂欢式场景、狂欢化语言风格、狂欢化人物形象等狂欢要素在其作品中屡见不鲜。通过狂欢化的描写和狂欢式的世界感受,狄更斯全面讽刺、揶揄了维多利亚时代的社会现实,艺术地展现了特定历史时期的社会阴暗面,同时体现出作者对当时社会问题的关注,寄托了作者对自由、平等生活的向往以及对理想社会的追求。
 
关键词: 19世纪欧洲文学;现实主义作家;狄更斯;《荒凉山庄》;巴赫金;狂欢化;狂欢精神
 
 
Carnival Features and Carnival Spirit in Dickens’s Novels
 
LIU Bai
 
(Liberal Arts College, Hunan Normal University, Changsha 411201, China;
School of Foreign Studies, Hunan University of Science and Technology, Xiangtang 411201, China)
 
Abstract: In the process of writing, Dickens transcends himself constantly, clears up elite consciousness and subverts conventional narrative strategies and aesthetic principles. His novels are full of carnival features by breaking the bondage of hierarchy in behaviors, language, gestures and thinking pattern. In Dickens’s novels, it is quite common to see carnival settings, carnival language and carnival figures. Through carnival description in his novels, Dickens satirizes the social reality of Victorian times, represents the darkness of society in particular historical period, shows his concern about social problems, indicates his yearning for freedom and equality and his pursuit of an ideal society.
 
Key words: European Literature in the 19th century; realism writer; Dickens; “Bleak House”; Bakhtin; carnival; carnival spirit
 
 
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