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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2010年06月第16卷第4期
   
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文章编号:1672-3104(2010)0-0106-05
 
魏际瑞《潮州送屠梦破序》的文本意义及其美学意蕴
 
马将伟
 
(暨南大学中文系,广东广州,510632)
 
摘  要: 魏际瑞是“易堂九子”中唯一的一位非遗民。在甲申、乙酉之变之后,魏氏不得已而出应清廷之试并频繁游于清幕,但他一直有着强烈的遗民情怀。因此,在游幕过程中,思归与思隐成为纠结在其内心而无法排解的情结,这也自然而然成为他诗文所表现的重要主题之一。《潮州送屠梦破序》是一篇“别调”赠序,突破古人赠序之窠臼,藉送人而抒发其一己之愁,思奇语妙,行文自由,具有独特的艺术魅力,也体现了魏氏文章的美学风貌。
 
关键词: 魏际瑞;赠序;美学意蕴
 
 
The text meaning and aesthetic implication of preface to Seeing Tu Meng-po off at Chao Zhou by Wei Ji-rui
 
MA Jiangwei
 
(Department of Chinese literature, Ji’nan University, Guangzhou 510632, China)
 
Abstract: WEI Ji-rui was one of the nine famous writers in Yi-tang, and only non-adherents. After the change of the country in the year of Jia-shen(甲申) and Yi-you(乙酉), he was compelled to take an examination of Qing government, and had several experiences of “going canvassing”(游幕), but he had always had strong feelings of the adherents. In the course of “going canvassing”, longing for home and living in obscurity was always a knot in his mind, and homesickness became a major theme in his works. Preface to Seeing Tu Meng-po off at Chao Zhou was a kind of admiring preface different from others of the tradition patterns. In this article, the writer saw his friends off to express their own nostalgia. Because of wonderful ideas, picturesque account and free language, the text had a unique artistic charm, which also reflected the aesthetic style of the creator.
 
Key words: Wei Ji-rui; preface; aesthetic implication
 
 
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