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| 文章编号：1672-3104(2009)05-0685-07 |
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论聊斋诗 |
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夏秀丽 |
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（南开大学文学院，天津，300071） |
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| 摘 要： 康熙诗坛，王渔洋一度提倡宋诗，形成了“宋诗热”，从而发生了“宗唐”与“宗宋”的激烈论证。在这种背景下，聊斋诗受宋诗的影响更大，带有宋诗艺术色彩的“真”是蒲松龄的诗学思想。在宋诗的影响及诗学思想的指引下，聊斋诗在艺术上颇具特色。表现在写作手法上讲求“以文为诗”、善用典故；情感抒发上注重“真性情”的自然流露，诠释了对“真”的审美追求；艺术风格立足于诗歌体裁与题材的不同，呈现出多样化特点。这种艺术风貌与王渔洋所提出的“神韵说”截然不同，有着多方面的原因。 |
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| 关键词： 蒲松龄；聊斋诗；宋诗化；真；神韵说 |
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On Liaozhai Poems |
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XIA Xiuli |
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（College of Literature, Nankai University, Tianjin 300071, China） |
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| Abstract: In fields of poetry of Qing Kangxi Emperor, Wang Yuyang once advocated the Song poems, which initiated argument about “Studing Tang poems” or “Studing Song poems”. Under this situation, the Liaozhai poem was affected by the Song poem’s deeply, and Pu Songling’s poetic thought emphasized “reality”. Guided by Song poems and poetic thought, the Liaozhai poems displayed some characteristics,which manifested in Writing Techniques, taking essays as poems rich in allusion; Emotion had been attached importance to “real” temperament’s revealing at ea, artistic style baseed on the different poetry style and theme, and presented the diverse characteristics. There are reasons for the fact that this kind of artistic style was different from “Romantic School” advocated by Wang Yuyang. |
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Key words: Pu Songling; Liaozhai poem; Song Dynasty’s poems tendency; real; Romantic School |
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