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| 文章编号：1672-3104(2022)06-0171-12 |
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展示自我性生活整体的现象学范型——论何顿的写实艺术 |
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晏杰雄，孙艺珑 |
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（中南大学文学与新闻传播学院，湖南长沙，410083） |
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| 摘 要： 作为进入权威文学史著述的“新生代”作家，何顿的写实艺术既继承了现实主义文学传统，也融合了基于个人生命体验的当下性观照，提供了一个展示自我性生活整体的现象学范型，为当代文学创作提供了新经验。首先，是采用“在场式”的表达立场，直接介入事物内部，与世界原初状态相接触；其次，是使用“生活流”的结构方式，将日常生活作为主要审美对象，如实展现生活的本真面貌；最后，是践行“向下沉”的审丑美学，不避讳对丑态事物的描写，揭示生活被遮蔽的本质。借助上述写实方法，何顿构建了一个原初化的生活世界，文本和生活的界限得以被打破，展现出浓郁的地域文化特色和世俗化底色。 |
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| 关键词： 何顿；写实艺术；在场式；生活流；审丑；生活世界 |
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The phenomenological paradigm of displaying the wholistic life of the Self: On He Dun's realistic art |
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YAN Jiexiong, SUN Yilong |
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（School of Literature and Journalism, Central South University, Changsha 410083, China） |
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| Abstract: As a "new generation" writer who is ranked into the authoritative literary history, He Dun, with his realistic art, not only inherits the realist literary tradition, but also integrates a present view based on personal life experiences, providing a phenomenological paradigm to display the wholistic life of the Self and offering a new experience for contemporary literary creation. Firstly, it adopts the expression of being present, directly intervening in the interior of things and getting engaged with the original state of the world. Secondly, it uses the structure of "life flow", taking daily life as the main aesthetic object and showing the true face of life. Lastly, it practices the aesthetics of "sinking downward" without avoiding depicting ugly things and disclosing the obscured nature of life. With the above-mentioned realistic methods, He Dun builds a primitive world of life in which the broken boundary between text and life is broken, hence revealing a strong color of local culture and secularization. |
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Key words: He Dun; realistic art; presence style; life flow; aesthetics of ugliness; world of life |
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