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| 文章编号：1672-3104(2020)06-0191-08 |
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“凝情取象，惟雅则同”：王维诗艺观及其创作的会通化成 |
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孙敏强，谢文惠 |
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（浙江大学人文学院，浙江杭州，310028） |
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| 摘 要： 王维提出“凝情取象，惟雅则同”的审美理念，不仅代表了其书画观点，也代表了其诗歌主张，是其诗艺观和画艺观合一的体现。在此理念的指导下，其书画、诗歌的创作和风格也呈现雅合的现象，具体表现为在取象思维影响下的画像与诗歌意象之合，以及雅正观指导下的诗情与画意之合。可以说，王维通过诗艺观和画艺观的融合，通过诗画观与诗画创作的融合，真正实现了诗和画在精神内涵与艺术形式上的相通，达到了理论与实践的会通化成。此理念不仅关涉王维的创作论、风格论，也对后世诗画观产生了一定的影响。 |
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| 关键词： 王维；取象；雅正；诗艺观；画艺观 |
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“Adopting images in accordance with feelings”: Integration of Wang Wei's poetics and creations |
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SUN Minqiang, XIE Wenhui |
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（School of Humanities, Zhejiang University, Hangzhou 310028, China） |
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| Abstract: Wang Wei put forward his aesthetic concept of "Adopting images in accordance with feelings" (“Ning Qing Qu Xiang, Wei Ya Ze Tong”, which represents not only his viewpoint of calligraphy and painting, but also his poetic proposition, the embodiment of the unity of his view of poetry and painting. Under the guidance of this concept, the creation and style of his calligraphy, painting and poetry also show such integration, which is further manifested in great detail in the combination of portraits and poetic images under the influence of the thinking mode of adopting images as well as the combination of poetic feelings and meanings conveyed by paintings under the guidance of the view of YaZheng. It can be said that Wang Wei, by integrating his own viewpoint of poetry and painting with his creation of poetry and painting, achieved the essential realization between the spiritual connotation and the artistic form of poetry and painting, hence acquiring the integration in both theory and practice. This idea not only involves Wang Wei's views on creation and style, but also exerts certain influence on the views on poetry and painting of later generations. |
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Key words: Wang Wei; adopting images; YaZheng; view of poetry; view of art |
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