|
| 文章编号：1672-3104(2020)04-0017-09 |
| |
|
乾嘉骈序的抒情成就及其骈文史意义 |
| |
吕双伟 |
| |
|
（湖南师范大学文学院，湖南长沙，410081） |
| |
| 摘 要： 清代是骈文的复兴期，其中以乾嘉时代成就最高。经过欧、苏主导的宋代古文运动，直到晚明，骈文主要运用在诏诰、表启等公牍性的“四六”上，范围较为狭窄。清初的序文已多使用骈体，乾嘉时骈体范围大为拓展，序、记、论、赋等都大量使用。其中，骈序不仅数量最多，而且在抒情方面取得了杰出成就。无论是赠序、宴序，还是诗文序、图序，整体上都偏于“以诗为文”，且具有情感真挚、以悲为主、融入自我、意境深远等特征。这不仅发展了六朝及初唐骈文的抒情传统，改变了自宋以来公牍性骈文情感虚浮的历史，也是清代骈文复兴的重要体现，提升了清代骈文的审美性。 |
| |
| 关键词： 乾嘉；骈序；抒情 |
| |
|
| |
Lyrical achievements of the parallel style preface of Qianjia and its significance in the history of parallel prose |
| |
LV Shuangwei |
| |
（College of Liberal Arts, Hunan Normal University, Changsha 410081, China） |
| |
| Abstract: The Qing Dynasty is the renaissance period of parallel prose, with achievements in the Qianjia era being the highest. After the movement of ancient prose in Song Dynasty led by Ouyang Xiu and Sushi, until the late Ming Dynasty, parallel prose was mainly used in the "siliu" of official documents such as Zhao Gao and Biao Qi, with a narrow scope of use. In the early Qing Dynasty, parallel style was used in the preface. During the period of Qianjia, the scope of parallel style was greatly expanded, and preface, record, theory and Fu were widely employed. Among them, parallel preface not only has the largest number, but also has made outstanding achievements in lyrics. Whether it's giving, banquet, poetry preface or picture preface, on the whole, it tends to "take poetry as the article" with the characteristics of sincere emotions, taking sadness as the main part, integrating the self, profound artistic conception, etc. This not only developed the lyric tradition of parallel prose in the early Tang Dynasty, but also changed the history of the emotional nihility of the Gongdu style parallel prose since the Song, Yuan and Ming Dynasties. It was also an important embodiment of the revival of the parallel prose in the Qing Dynasty, and improved the aesthetic quality of the parallel prose in the Qing Dynasty. |
| |
Key words: Qianjia; parallel prose; lyrics |
| |
|
|
