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| 文章编号：1672-3104(2018)01-0183-06 |
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全真道与马致远神仙道化剧的情节建构 |
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王亚伟 |
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（南开大学文学院，天津，300071） |
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| 摘 要： 马致远的神仙道化剧与全真道渊源颇深，其情节建构基于全真道的思想主张，其中的精妙之处尚未被真正认识。这些剧作的结构、线索、矛盾设计分别来源于全真道宣扬的“真行”“断酒色财气”“妻儿冤亲”思想。在此基础上，马致远根据杂剧剧情发展和作家主体抒情的需要，对这些道教修仙理论作了很多艺术化的处理，创造出了一种适合神仙道化题材的杂剧创作模式，并能于窠臼中出变化，赋予剧作很强的艺术表现力。揭示这些剧作在情节建构方面的特点，是认识马致远神仙道化剧的关键所在，有助于我们深入把握其中的艺术价值，进而充分理解马致远的艺术成就。 |
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| 关键词： 神仙道化剧；马致远；全真道；情节建构 |
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Quanzhen School and the plot construction of Ma Zhiyuan’s immortal drama |
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WANG Yawei |
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（School of Literature, Nankai University, Tianjin 300071, China） |
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| Abstract: There is a close relationship between Ma Zhiyuan’s immortal Taoist drama and Taoism. These dramatic plot constructions are based on the theory of Quanzhen School, whose subtleties, however, have not yet been truly recognized. The structure, clues and contradiction of these drama are derived from the thought of “Zhen Xing”, “Quiting alcohol, sex, money and anger” and that “family members are enemies”. According to the plot development and the lyric needs of writers, Ma Zhiyuan made some artistic treatment of these Taoist theories. Finally, he created a kind of drama creation model suitable for immortal theme, and constantly broke through the old plot, giving the drama a strong artistic expression. Revealing the characteristics of these plays in the plot construction is the key to the understanding of the immortal and immortal drama. It is very important to reveal the features of plot construction in these plays, and also the key to understanding Ma Zhiyuan’s immortal drama. It helps us grasp the artistic value of these dramas, and then fully understand Ma Zhiyuan’s artistic achievements. |
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Key words: immortal drama; Ma Zhiyuan; Quanzhen School; plot construction |
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