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自然科学版 英文版
自然科学版 英文版
 

中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2018年01月第24卷第1期
   
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文章编号:1672-3104(2018)01-0175-08
 
《红楼梦》神话叙事的互文性艺术
 
王凌
 
(西安工业大学人文学院,陕西西安,710021)
 
摘  要: 《红楼梦》主要通过两种方式对其神话叙事进行建构:一是对原生神话的镶嵌式引用,二是根据需要拟作神话,即“亚神话”或“仿神话”建构。文章运用互文性理论及细读批评方法,解析《红楼梦》神话叙事的“文本间性”,探讨小说的各种神话意象、叙事模式及超自然情节类型如何在文本海洋中建构独特的小说意义。《红楼梦》的神话叙事一端联系着作者的审美选择,一端联系着原始神话诞生、传播的互文语境。不同的读者群体意味着不同的审美主体与参照对象,在互文的世界中,文本意义将具有永恒的多重性。
 
关键词: 《红楼梦》;神话叙事;仿神话;互文性
 
 
The art of intertextuality in the myth narration of A Dream of Red Mansions
 
WANG Ling
 
(College of Humanities, Xi’an Technological University, Xian Shanxi 710021, China)
 
Abstract: The myth narration i, n A Dream of Red Mansions is mainly constructed in two ways: the direct reference to the original myth, and replication of myth according to the need. The present essay adopts the theory of intertextuality and the method of close textual reading and criticism, analyzes the art of "intertextuality" of the myth narrative of the novel to explore how a variety of mythological images, narrative patterns and supernatural plot types in the novel construct the unique meaning of fiction in an ocean of texts. One end of the mythological narratives in A Dream of Red Mansions is closely related to the author's aesthetic choice, and the other end relates to the intertextual context of the birth and spread of the original myth; and different reader groups mean different aesthetic subjects and reference objects. Therefore, in the world of intertextuality, the meaning of the text will have eternal multiplicity.
 
Key words: A Dream of Red Mansions; myth narrative; quasi-myth; intertextuality
 
 
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