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中南大学学报(社会科学版)
ZHONGNAN DAXUE XUEBAO(SHEHUI KEXUE BAN)

2015年02月第21卷第1期
   
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文章编号:1672-3104(2015)01-0211-06
 
乾嘉视域中的姚鼐诗学观点及诗歌创作论
 
温世亮
 
(南昌师范学院中文系,江西南昌,330032)
 
摘  要: 学者兼诗人的姚鼐,治学虽强调“义理”为先,以宋学为尚,但也不能不被时代的学术风潮所影响,其诗学观点和诗歌创作所表现出的学问化倾向,可以说便是这一情形的最好证明。不过,学问化仅仅是姚鼐诗学观点和诗歌创作的表征,“兴会”和“精神”才是其旨归之所在。姚鼐诗学观点及诗歌创作的学问化倾向所具有的价值,至少可从诗歌、学术、文化等层面进行挖掘,又从助诗歌之境界、疏诗坛之榛塞、正学者之途径等几个方面体现出来。
 
关键词: 姚鼐;乾嘉学风;诗学观点;诗歌创作;学问化
 
 
Yao Nai’s poetic theory and creation inQianlong and Jiaqing Perspective
 
WEN Shiliang
 
(Department of Chinese, Nanchang Normal University, Nanchang 330032, China)
 
Abstract: Scholar poet Yao Nai, who advocated Song learning which emphasized argumentation first, could not be excused from the the academic atmosphere of Qianjia period. His poetic theory and knowledge tendency expressed by his creations can be seen as the best proof of the phenomenon. However, knowledge representation is only the representation of Yao Nai’s poetic theory and creation, and the essence lies in inspiration and spirit. Yao Nai’s poetic theory and creation and the value of his knowledge tendency can be explored from different levels, including poetry, academy and culture, and can also be embodied by uplifting the realm of poetry, dredging the obstruction in poetic circle, righting the pathway for scholars, and so on.
 
Key words: Yao Nai; the academic atmosphere of Qianjia period; poetic theory; poetic creation; knowledge tendency
 
 
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