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| 文章编号：1672-3104(2015)04-0192-05 |
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影像的民族化：费穆戏曲电影的美学再审视 |
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杨紫轩 |
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（南京大学文学院，江苏南京，210093） |
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| 摘 要： 在中国电影发展历史中，导演费穆对中国戏曲电影化以及中国电影民族化进程有着突出的贡献。他通过蒙太奇、镜头变换、电影美工、场面调度等一系列手段实现影像表达，将戏曲和电影这两种不同形态的艺术相融合。把古典戏曲中国人对美的追求有选择地保留在电影当中，借用电影媒介创作出独特的富有中国韵味的戏曲电影。 |
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| 关键词： 费穆；戏曲电影；民族化；意境美 |
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Nationalization of image:aesthetic re-examination of Fei Mu’s open films |
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YANG Zixuan |
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（School of Chinese Literature, Nanjing University, Nanjing 210093, China） |
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| Abstract: In the development of Chinese films, director Fei Mu has made outstanding contributions to making Chinese operas cinematic as well as to nationalizing Chinese movies. Through montage, transformation of lens, art designing, sense control and other series of methods, he integrates the two different art forms of operas and movies. Moreover, he makes a selective detainment in classical operas in pursuit of beauty of Chinese people. By using movie media, he creates unique opera films with Chinese characteristics. |
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Key words: Fei Mu; opera films; nationalization; artistic conception of beauty |
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