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| 文章编号：1672-3104(2014)02-0234-05 |
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带灯夜行：且行且吟的乡土悲歌
——贾平凹《带灯》女主人公意象解读 |
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许心宏 |
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（安徽财经大学文学与艺术传媒学院，安徽蚌埠，233030） |
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| 摘 要： 贾平凹长篇新著《带灯》聚焦于“乡村病”的书写。一是基于小说结构的“出走——外来”模式，阐释其视角陌生化与间距化的审美效果；二是通过带灯书信体的心灵独白，离析出农村基层问题的驳杂性与其性格组合的矛盾性；三是经由带灯“夜游症”意象分析，解构理想者的精神苦役与政治话语的游离；四是坐实在文本的叙事策略上，剥离出叙事交流的断裂性与实效性，内中探究作者叙事声音的罅隙性在场。 |
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| 关键词： 贾平凹；《带灯》；乡村裂变；现实主义；书信体；叙事视角；空间诗学 |
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Sad melody in China’s countryside: Walking along singing in the Nasty World |
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XU Xinhong |
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（Anhui University of Finance＆Economics, School of Literature, Art & Media, Bengbu, 233030, China） |
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| Abstract: Jia Pingwa’s new novel “Dai Deng” focused on the description of the rural disease in China’s countryside. Firstly, the aesthetic effect on the subject of rural diseases unfolded by way of defamiliarization and aesthetic distance based on the “leaving-returning” narrative structure; Secondly, the monologue of Dai Deng, the leading character was shown by the novel’s epistolary style which described the contradictory complexity in the grass-roots units and her character combination; Thirdly, through the analysis of Dai Deng’s somnambulism image, the novel suggested the deconstruction of idealist mental servitude and the dissociation of political discourses. Finally, based on the narrative strategy throughout the novel, probed into the presence of the gaps on the narrative voices by coming off the breaks and effectiveness of narrative communications. |
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Key words: jiapingwa; Dai Deng; rural fission; realism; epistolary style; narrative perspective; poetics of space |
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