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| 文章编号：1672-3104(2008)02−0286−04 |
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论同光体诗人袁昶 |
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贺国强 |
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（华南农业大学人文学院，广东广州，510640） |
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| 摘 要： 近代诗人袁昶在同光体浙派中有着重要的地位。过去学界一直认为他是洋务派作家，通过对其政治活动与主张的具体考辨后指出，他应该属于维新派作家。在晚清特定政治背景下，袁昶既不能济世救国，又不能隐逸闲居，只能以一种痛苦的“朝隐”心态来消磨时日，这使得他大量的山水诗具有独特的意味。由此两方面入手，我们能够较全面地重新认识这位过去被视为保守派的诗人，同时，也能够对其诗歌创作中丰厚的内蕴、喷礴的情感与风格的博综做新的评价与体认。 |
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| 关键词： 袁昶；同光体诗人；沈曾植 |
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On Yuan Chang, a poet of Tongguang Style |
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HE Guoqiang |
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（College of Humanities, South China Agricultural University, Guangzhou 510640, China） |
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| Abstract: Academic circles always regarded previously Yuan Chang, a famous poet in modern history, as a literator belonging to foreign affairs school. Yuan Chang was previously regarded as a conservative poet. This paper discriminated his political faction. Furthermore, it explored his mind of Chaoyin, a hermit in imperial court on the special politics background. So, it helped to understand afresh his poet. Meanwhile, the paper commented anew on his poems’s content and style. |
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Key words: Yuan Chang; poets of Tongguang Style; Shen Zengzhi |
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