|
| 文章编号：1672-3104(2011)03-0149-05 |
| |
|
杜夫海纳的艺术时空观 |
| |
尹航 |
| |
|
（山东青年政治学院文化传播系，山东济南，250103） |
| |
| 摘 要： 杜夫海纳的艺术时空观构成了审美对象自律性的理论基础，成为审美对象“准主体”的重要成因。正是通过建构“时间的空间化”和“空间的时间化”相结合的艺术时空观，杜夫海纳赋予了艺术作品和审美对象独特的存在方式和崭新的地位，从而将审美对象与审美知觉置于可逆双向的审美知觉意向性结构加以考察，实现了审美经验过程的交互主体性，进而揭示了审美对象“准主体”与审美欣赏主体在交感思考中的主体间性亲缘关系。 |
| |
| 关键词： 杜夫海纳；时间的空间化；空间的时间化；自律性；审美对象“准主体”；交互主体性 |
| |
|
| |
Dufrenne’s idea of artistic time and space |
| |
YIN Hang |
| |
（Department of Culture and Communication, Shandong Youth University of Political Science, Jinan 250103, China） |
| |
| Abstract: Dufrenne’s idea of artistic time and space is the theoretical base of the autonomy of aesthetic object, as well as the important contributing factor of “quasi-subject”. By elaborating the combination of the spatialisation of time and the temporalisation of space, Dufrenne gives a new idea on the existing mode and position of artistic works and aesthetical objects, and researches aesthetic object and aesthetic perception by placing them into the reversible intentional structure of esthetic perception, which realises the inter-subjectivity of the process of aesthetic experience. Furthermore, he reveals the inter-subjective affinitive relationship in the profoundess and symathique reflection. |
| |
Key words: the spatialisation of time; the temporalisation of space; autonomy; “Quasi-Subject”; inter-subjectivity |
| |
|
