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文章编号:1672-3104(2011)01-0159-05 |
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论20世纪90年代台湾小说中“酷儿书写”的现代性 |
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罗显勇 |
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(重庆大学电影学院戏剧影视文学系,重庆,400044) |
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摘 要: 台湾小说中的“酷儿书写”始于20世纪60年代白先勇等作家,到了20世纪90年代,以邱妙津、朱天文等为代表的新世代“酷儿”作家,一反传统“酷儿”书写的悲情和自恨,改以昂扬自信的笔调探索“酷儿”情欲和性别的游移流动,大胆描绘“酷儿”自身独特的性感经验,从“边缘”发声,挑战中心和权威,采取一种边缘化的写作策略,以“出走”的行动叛离中心找寻自己,以激烈的“自杀”的手段对中心提出抗议,以“谐拟”的方式来颠覆中心的建构。她们的“异端书写”,冲击了理性规约下的性别藩篱,并以女性主义的立场在文本中呈现各种“酷异”的情欲状态的组合和迷乱的身份认同,在充分开放的情欲场域中,凸显出汉语写作中自“五四”文学革命以来长期潜伏着的、被压抑的“现代性”特质。 |
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关键词: 台湾小说;白先勇;邱妙津;朱天文;“酷儿书写”;文学革命;“现代性 |
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Modernity of Queer Writing in Taiwanese Novels in the 1990s |
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LUO Xianyong |
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(Department of Dramatic and Cinematic Literature of Film Academy, Chongqing University,
Chongqing 400044, China) |
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Abstract: Queer writing in Taiwanese novels begins from such writers as Bai Xianyong in 1960s. During 1990s the new-generation queer writers represented by Qiu Miaojin and Zhu Tianwen adopt an anti-traditional strategic writing policy and highlight queer’s unique experience. These queer writers abandon the melancholy and self-resentful writing and explore queer sexuality and gender fluidity in a bold and challenging way. They protest the mainstream of the society and attack orthodox heterosexuality with a marginalized point of view, trying to find their ego by escaping from the authoritative center. They protest the center by committing suicide and deconstruct the center through parody. Through unorthodox queer writing, they intend to break through the rational gender border, exhibit various queer sexuality and call for gender identity in the feminist position. Their queer writings exhibit the modernity which has been repressed from the beginning of modern Chinese literature in the 1910s. |
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Key words: Taiwanese novel; Bai Xianyong; Qiu Miaojin; Zhu Tianwen; “queer writing”; literary revolution; “modernity” |
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