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| 文章编号：1672-3104(2010)06-0129-05 |
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坎普与现代主义及后现代主义 |
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李霞 |
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（南京大学中文系，江苏南京，210093） |
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| 摘 要： 桑塔格在《关于“坎普”的札记》一文中阐述坎普的美学内涵，将坎普视为当代感受力的先锋和典型，用以对抗传统的审美标准。坎普所代表的审美趣味，和六十年代的后现代主义文化相应和，是对现代主义的反叛；但坎普和现代主义又不是决然的断裂，它们二者之间还有许多相通之处。坎普、现代主义、后现代主义之间的复杂关系将在文中得到揭示。 |
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| 关键词： 桑塔格；美学；坎普；现代主义；后现代主义 |
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Camp, Modernism and Post-modernism |
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LI Xia |
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（Department of Chinese Language & Literature, Nanjing University, Nanjing 210017, China） |
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| Abstract: Sontag described the aesthetic connotation of camp in the article Notes on Camp. As the pioneer and quintessence of the modern sensibility, camp fought against the traditional aesthetic standards. Camp echoed the post-modern culture of 1906s, and rebelled against the modernism. But there are many similarities between camp and modernism, not just the fracture. The complicated relationship between camp and modernism/postmodernism is revealed in this paper. |
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Key words: Sontag; aesthetic; Camp; modernism; post-modernism |
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